One-line Film Review: Aftermath (2025), starring Dylan Sprouse
You’d think that, almost 40 years after the release of Die Hard, people would stop trying to make the next one without understanding what made it great.
You’d think that, almost 40 years after the release of Die Hard, people would stop trying to make the next one without understanding what made it great.
This film takes the vigilante wish fulfillment to a new level with cops endorsing Bronson's vigilantism, locals cheering on daylight extrajudicial murder, and a 32-year-old blonde chasing 64-year-old Bronson just so she can be killed after they hook up.
Nothing could save this uninspired story of high-school-age vampires, half-vampires, and evil vampires, but boy howdy does Zoey Deutch's portrayal of a sarcastic badass who says what the audience is thinking come close.
Predictable and badly paced, this film tells viewers that Mexicans are gangsters and that vigilantism keeps people safe.
This one imagines a CIA conspiracy to negate the US’s 2nd Amendment that involves kidnapping, extortion, and lots of guns, which adds stupid to the sins of boring, patriarchical, and very, very white.
Aggressively sexist and passively racist, Battle Drone fails in every respect except inspiring me to rewatch The Losers, the excellent 2010 alternative to the inferior The Expendables.
The fight scenes are excellent, as one should expect of a professional stunt man and martial artist directed by a former stunt man, but the script and acting and irrelevant women leave everything to be desired.